极光剧场

简介：剧情简介:第二天，宋小雷回公✉✔司上班，朱莉来到☟宋小雷面前，✆向宋小雷打探☂★胡丽莉的消息，☎宋小雷依然没有找✑到胡丽莉，朱莉一☁㍿脸同情看着宋小雷
离开公司，宋囍☆小雷离开公司接☷✄莹莹放学，莹莹与宋☰小雷提起了亲生✎☀父亲任远。正☎在这时，后池前来端药给古✍君，古君宠✖✃溺地看着后池，☳哄着后池喝下他从雪山之巅采来的昂贵仙药囍✂。Scorse✑✖se and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.